Georgia has been one of the busiest film and television production centers on earth for more than a decade, and most of that work happens inside a ring of studio campuses scattered across metro Atlanta. For a producer, a UPM, or a transportation coordinator new to the market, the first surprise is geography: the studios are not clustered in one neighborhood. They sit north, south, east, and inside the city — connected by some of the most congested interstates in the country.
This is a transportation map of the major studios, written for the people who have to move talent, executives, and crew between them, the airport, and the hotels. It is a companion to our broader Producer's Guide to film and TV production transportation in Atlanta.
The Geography of a Production Hub
Three things define ground transportation in production-era Atlanta. First, Hartsfield-Jackson Atlanta International Airport sits on the south side of the metro — which means studios south of the city often have better airport access than the in-town and northern facilities. Second, the road network funnels through the I-285 perimeter and the downtown Connector, where I-75 and I-85 merge, both of which can turn a fifteen-mile move into an hour. Third, the talent and executives mostly stay in-town — Buckhead, Midtown, and Downtown — so the daily pattern is hotel-to-studio-and-back, across traffic, on a schedule that does not flex.
The Major Studios and Where They Sit
Trilith Studios — Fayetteville
Trilith, formerly Pinewood Atlanta Studios, sits in Fayetteville in the southern suburbs below the airport. It is one of the largest purpose-built studio campuses in North America and anchors a walkable live-work community. For transportation, its south-metro position is an advantage on airport runs and a challenge on anything coming from the northern suburbs in rush hour.
Tyler Perry Studios — Southwest Atlanta
Built on the former Fort McPherson army base in southwest Atlanta, Tyler Perry Studios is one of the largest film studios in the country, with a campus measured in hundreds of acres. Its in-city location keeps it relatively close to downtown hotels and the airport, though the surrounding surface streets reward a driver who knows them.
Assembly Studios — Doraville
Assembly Studios occupies the redeveloped former General Motors assembly plant in Doraville, on the northeast side just inside I-285. It is a major modern campus with a large soundstage footprint and anchor television tenants. For transportation, it is the northern counterweight to the southern studios — convenient to the northeast suburbs, a longer haul from the airport.
Shadowbox Studios — Southeast Atlanta
Shadowbox Studios, formerly Blackhall Studios, sits in southeast Atlanta, not far from the airport on the city's southern flank. Its proximity to Hartsfield-Jackson makes it one of the easier campuses for moving inbound executives and department heads straight from a flight to a stage.
EUE/Screen Gems and the Rest
EUE/Screen Gems Studios operates a stage complex in the Lakewood area of south Atlanta, and the metro carries a long tail of additional facilities — Eagle Rock and Third Rail in the northeast, converted warehouses, and independent stages spread across the region. The practical point for transportation is the same everywhere: each campus has its own gate procedures, its own holding and base-camp geography, and its own relationship to the nearest interstate.
Why the Airport Changes Everything
Because Hartsfield-Jackson is south of the city, the southern studios — Trilith, Tyler Perry, Shadowbox — generally offer cleaner airport logistics than the northern ones. For incoming directors, studio executives, and department heads, that can shape everything from hotel choice to call-time planning. When talent or executives arrive by private aircraft, the FBOs at the region's private fields — DeKalb-Peachtree (PDK) to the northeast and Fulton County Executive (FTY) to the southwest — become the relevant arrival points instead, each with its own drive-time relationship to the studios.
Moving Between Studios and the Hotels
The daily reality is the in-town-hotel-to-studio commute, and it is where a professional black car service earns its keep. A few patterns hold:
- Buckhead and Midtown to the southern studios crosses the entire city; plan it against rush hour, not against the map.
- Cross-metro studio-to-studio moves — say, a Doraville campus to a Fayetteville one — are the longest hauls in the market and should never be scheduled tight.
- Multi-stop executive days — a producer hitting two studios, a production office, and a dinner — are best run as a single as-directed roadshow rather than a string of separate pickups.
For crew movements between holding and base camp, Sprinter vans and V-Class people-movers carry the volume; for principals, an executive sedan or SUV keeps the move quiet and comfortable.
How Chauffeured Transportation Fits the Map
The studios supply the stages; the city supplies the traffic. What connects them on schedule is a transportation plan built by people who know which campus sits where, how its gates work, and how long the move really takes at 7 a.m. versus 7 p.m. That local knowledge — not the vehicle badge — is the difference between a production that runs on time and one that waits at the curb.
Plan Your Production Moves
Bring us the campuses, the hotels, and the call sheet, and we will build the moves around the map.
- Online: reservation form or instant quote
- Phone: (770) 310-8765 for production and corporate accounts
- Email: info@chauffeurslane.com
Pair this with our full Producer's Guide to Atlanta production transportation, and the geography stops being a surprise.
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